2015-01-27 -Short Attention Span Theater-
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Caution! 'American Sniper' Is a Dangerous Movie
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An artiste bemoans a war movie
I was looking forward to seeing American Sniper. I took my brown Native high school-aged son to see it. I’m a fan of Clint Eastwood’s acting and directing, and his Sniper is a beautifully shot and directed action packed flick. But after his film, I spent the hour’s drive home explaining to my son why I thought the movie was dangerous and corrosive to the American people.
Meanwhile, his "brown" son decides to look up the nearest US Navy recruiter.
This is a tense war movie that looks great. But just underneath the film’s sexy veneer is a shockingly racist ideology of hate and death that is advanced by the white male sniper Chris Kyle.
Whereas a non-white female sniper would have been just fine, right?
Kyle is the ideological descendant of Custer and the Seventh Cavalry. He belongs to an elite white male cadre of swinging dick meat eaters who will solve the problems of invaded brown people with a bullet. Iraqi and Syrian combatants are called “fuckin’ savages.” Direct statements of racism and death may or may not reflect the realities of the modern U.S. military. But they do give rise to false dichotomies that dehumanize the enemy and make it kinda fun, cool and necessary to kill them.
Kyle is Navy. I am no expert on the exploits of General George Custer, but I suspect General Custer had no sailors with him. Snipers, possibly, but no sailors. I fail to see how the appellation "fucking savages" is racist, especially if his targets are fuckin savages.
For the moment, Sniper is the fave mascot of the reactionary right wing of white America. Its visual beauty softens the harsh fact that the movie glorifies death, racism, hatred, religious prejudice, sexism, colonialism and moral corrosion. It presents some great ideas about caring for and protecting the people of your tribe. If you’re a white Christian American, that is. Women, minorities, kids, Muslims need not apply. They’re part of the bullet-to-the-head fix.
Why is this film so important in its depiction of outdated and corrosive white conservative male values? Because it is a time of great change and social movement in the world. The time of white American male rule and hegemony is coming to an end. And American wingnuts don’t like it one bit.
Outdated. That's what liberals call conservative values. Values which protect a civil society from itself, which protects folks such as this artist. Protections which would disappear were they taken away by the fuckin savages.
A classic function of horror and sci-fi movies is to code racially and socially taboo stories in the guise of fantasy. Sniper follows this formula. It’s a snapshot into the psyche of a retrograde white conservative male patriarchy. It lets us glimpse its fears and desires (loss of power and male potency) as well as its hopes and desires (white men will kill their way back to the top).
And here I thought American Sniper was a biopic of US Navy SEAL Chris Kyle. Goofy me.
Americans as a whole are too ignorant of the country’s past colonial violence against Native and African Americans and current world affairs to really question uncomplicated black, brown and white narratives of war. The audience largely clapped at the end of the movie.
I heard it differently. I heard that folks who saw the movie left the theater in silence.
This is potentially a time for great social change and growth in America and the world. Dated stories of white male privilege and uber violence are divisive and corrosive to this positive change.
As much money as this film had made, I suspect Hollywood has found a way out of the doldrums by depicting "stories of white male privilege".
It’s up to us as Indigenous Peoples
Wait -- I thought it's his son that is a "brown Native". He said nothing to indicate that he, too, belongs to that very oddly named class. Where, oh where are the competent editors of yesteryear? | and as Americans to question simplified stories glorifying violence and racism and sexism. It’s time to educate ourselves about the violence of this country’s past, and to come together as a people to build a stronger, inclusive and more unified America.
And American Sniper is just the film to "educate" people about those "simplified stories".
Mateo Romero is an enrolled tribal member at Cochiti Pueblo. Born in the Bay Area, he completed his BA at Dartmouth College and his MFA in painting at UNM. He is an award -winning artist who has exhibited both nationally and internationally. A former SAR Dubin Fellow, Romero lives in Pojoaque Pueblo with his potter wife Melissa Talachy, and their sons Rain and River. He shows his paintings at Blue Rain Gallery in Santa Fe.
One most sincerely hopes Mr. Romero paints and pots better than he writes. |
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07:43 Procopius2k
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