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Home Front: Culture Wars
Bruce Thornton:The bitter fruit of a destructive generation
2017-12-01
The explosion of sexual harassment and assault claims, some going back forty years, is the inevitable consequence of the sexual revolution. Long before Bill Clinton’s sordid sexual escapades led him to impeachment, our culture had normalized public sexual behavior and mores once hidden away in the private realm, and kept there by laws, morals, and customs. Like many of our social pathologies today, our sexually saturated public culture and the unleashing of sexual predators are the bitter fruit of the free love movement of the Sixties.

Those who didn’t live through that period cannot imagine how quickly and radically our society was transformed. And that change was encouraged by certain species of dubious Pop-Freudian psychological ideas that had been combined with left-wing theories of political revolution. This synthesis was predicated on the delegitimization of the “bourgeois” virtues, morals, and values that had created the “false consciousness” empowering capitalist oppression. “If it feels good, do it” and “Fuck authority” became the most important personal and political imperatives.

Thus sexual liberation became an instrument of political “liberation,” and both revolutions enabled personal liberation, a weird mash-up of radical individualism and communist collectivism. Listen to Herbert Marcuse, denizen of the Frankfurt School and guru of the New Left:
The civilized morality is reversed by harmonizing instinctual freedom and order: liberated from the tyranny of repressive reason, the instincts tend toward free and lasting existential relations––they generate a new reality principle.

So too another popular intellectual of the Sixties, renegade classicist Norman O. Brown:
The life instinct, or sexual instinct, demands activity of a kind that in contrast to our current mode of activity can only be called play. The life instinct also demands a union with others, and with the world around us, based not on anxiety and aggression but on narcissism and erotic exuberance.

One can see this political justification for “free love” in the 1969 Wellesley commencement address of Hillary Rodham Clinton, who wrote her senior thesis on the most consequential theorist of modern left-wing activism, Saul Alinsky. “We’re searching for more immediate, ecstatic, and penetrating modes of living,” Rodham said. Her three sexually charged adjectives reveal the by then preposterous union of the sexual and the political revolution that starts with “questions about our institutions, about our colleges, about our churches, about our government,” Rodham continues, and enables “human reconstruction,” a phrase echoing the leftist “new man” necessary for achieving the collectivist utopia of social justice and equality.

The women’s movement in particular embraced this theory. Sexual mores were a tool of patriarchal power, the means for keeping women “barefoot, pregnant, and in the kitchen,” as the cliché went. Taking away women’s sexual agency and autonomy prevented them from “raising their consciousness” and “acknowledging their repression” by the bigoted, puritanical values of retrograde Catholics and “fundamentalist evangelicals” striving to “roll back the clock.” Emboldened by sexual liberation and its empowering pleasures, women now could demand freedom from “bourgeois” rules that denied them sexual ecstasy and personal expression. Now the “double standard” of sexual codes would be abolished, and women would become the equals of men, needing only laws to be changed or written that encoded that equality.

Validated by such ideas, the powerful human sex-drive, which smarter peoples before us knew had to be controlled to minimize its destructive consequences, now began to run riot. No one has captured the consequence of “revers[ing] civilized morality” as well as Tom Wolfe does in his brilliant 2000 essay “Hooking Up.” The “sexual revolution” had by then become a “lurid carnival.” Public life and popular culture from movies and magazines to television and the Internet were filled with pornography both soft and hard. Perversions like sadomasochism became chic, its appurtenances fashion statements, and later its practice the theme of a best-selling series of novels. Divorce lost its stigma, and men were now free to dump the mother of their children for “trophy” wives half their age without tainting their careers or prestige.
Read the rest at the link
Posted by:badanov

#3  I never understood why a movie had to have a 20 minute graphic sex scene...
Cheap commercialism. When the Movie Theaters went multiple screens it was a moneymaker on over-priced popcorn sales to turn the blind eye to teenagers sneaking out of the G-rated films they bought tickets for... For Hollywood writers? Why work hard to write good dialogue when you can just put in minutes of Bump-n'Grind?
Posted by: magpie   2017-12-01 15:38  

#2  I am beginning to think that all of those out of context, random sex scenes and female nudity in movies was a form of sexual harassment/punishment of "uppity" actresses.

I never understood why a movie had to have a 20 minute graphic sex scene burning film and taking up story time except to humiliate the actress, gratify the actor and the director, and fill up time in a movie that really didn't tell a story.
Posted by: Sock Puppet of Doom   2017-12-01 10:21  

#1  Those who didn’t live through that period cannot imagine how quickly and radically our society was transformed.

Oh, the stats show very well the surge in out of wedlock births, single mother head of households, and the dramatic expansion of entitlements.

No one has captured the consequence of “revers[ing] civilized morality” as well as Tom Wolfe does in his brilliant 2000 essay “Hooking Up.”

I use the term "decivilization".
Posted by: Procopius2k   2017-12-01 07:37  

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